MENGS, Anton Raphael
German Neoclassical Painter, 1728-1779 Painter and writer, brother of Theresia Concordia Mengs. His early career was at the Dresden court; thereafter he worked principally in Rome and Madrid, notably on the frescoes at the Villa Albani and the Palacio Real respectively. As an early exponent of Neo-classicism he produced some impressive classical and religious scenes, though he was most accomplished as a portrait painter. Under the influence of Johann Joachim Winckelmann he also wrote some theoretical works, of which the most important is the Gedanken ber die Schenheit und ber den Geschmack in der Malerey (1762). Although acclaimed during his lifetime

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MENGS, Anton Raphael Glory of St Eusebius oil painting


Glory of St Eusebius
1757 Fresco
Painting ID::  29642
MENGS, Anton Raphael
Glory of St Eusebius
1757 Fresco
   
   
     

MENGS, Anton Raphael Self-Portrait oil painting


Self-Portrait
mk67 pANEL 38 3/16X28 9/16in Uffizi,
Painting ID::  30060
MENGS, Anton Raphael
Self-Portrait
mk67 pANEL 38 3/16X28 9/16in Uffizi,
   
   
     

MENGS, Anton Raphael Judgement of Paris oil painting


Judgement of Paris
mk68 Oil on canvas Saint Petersburg,State Hermitage Museum 1757-1759 Germany
Painting ID::  30622
MENGS, Anton Raphael
Judgement of Paris
mk68 Oil on canvas Saint Petersburg,State Hermitage Museum 1757-1759 Germany
   
   
     

MENGS, Anton Raphael Portrait of Johann Joachim Winckelman oil painting


Portrait of Johann Joachim Winckelman
1761-62 Oil on canvas, 64 x 49 cm
Painting ID::  44069
MENGS, Anton Raphael
Portrait of Johann Joachim Winckelman
1761-62 Oil on canvas, 64 x 49 cm
   
   
     

MENGS, Anton Raphael Portrat eines Architekten oil painting


Portrat eines Architekten
1755 Oil on canvas 72 x 59,5 cm cjr
Painting ID::  79066
MENGS, Anton Raphael
Portrat eines Architekten
1755 Oil on canvas 72 x 59,5 cm cjr
   
   
     

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     MENGS, Anton Raphael
     German Neoclassical Painter, 1728-1779 Painter and writer, brother of Theresia Concordia Mengs. His early career was at the Dresden court; thereafter he worked principally in Rome and Madrid, notably on the frescoes at the Villa Albani and the Palacio Real respectively. As an early exponent of Neo-classicism he produced some impressive classical and religious scenes, though he was most accomplished as a portrait painter. Under the influence of Johann Joachim Winckelmann he also wrote some theoretical works, of which the most important is the Gedanken ber die Schenheit und ber den Geschmack in der Malerey (1762). Although acclaimed during his lifetime

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